04.03.12: Dream—Art Directed Reality

I had a dream the other night in which the production designer of a documentary about a farm family was presenting me with some color swatches to view. All of the color swatches were dull colors—beige, pale blue and a muddy, off white. The idea, as the production designer explained it, was to make the entire setting, the farmer, his family and their home, look “better.” It was decided that the clothing and environment should be contained within a proscribed color universe. To do this, they would dye all of the farm family’s clothes, empty the rooms, repaint the walls, remove all of the knick knacks and utensils around the house and even alter the color of those in order to create a somewhat duller but more unified world.

This aspect of production design is common in fictional films. David Fincher is famous for color coordinating the rooms of his protagonists—for example, their clothes, furniture and walls might all be varying shades of bluish gray. Other movies might use this technique to confine flashbacks to golden warm tones while others might choose to unify the colors within the setting by meticulously coordinating wardrobe pieces, or even curtains and furniture. This can be obvious or subtle. For example, it’s fairly common for a white shirt to be dyed down to an off white during production of a film so it does not pop or glow too much against the background. You might not notice any of this art direction at work, but it’s there.

Anyway, many of these design elements were going to be applied to the documentary in my dream. Once the clothes, house and other items were all coordinated to depict a color-muted universe, the stuff would be put back exactly where it had come from and the family would be allowed to resume their normal daily lives. 

In the dream I thought to myself, “This is very clever. Visitors to the farm family will immediately look like garish outsiders with their loud clothes, sporting colors that will inevitably clash with the toned down world of the farm. The sense that the farm is a world unto itself would, therefore, subtly be reinforced.” This seemed, in my dream analysis within the dream, like a pretty cool idea. Leave aside, as I did in my dream, the issue of whether this is a perversion of the notion of a documentary. 

As my thoughts within the dream drifted, a disturbing thought arose. “What about the vegetables?” I realized, being a farm, that there would inevitably be bright red peppers, rich green leaves of kale and chard, and a variety of colorful fruits that would be brought from the farm into the house or barn. I thought to myself, “What about those? The film people wouldn’t re-paint vegetables would they? Nah, that would somehow be crossing a line.”

04.20.10: Ski Dream

I’m high on a mountain, following the steps of an “expert” skier who is sort of skateboarding on a snowboard (pushing with one foot) along a snow-covered, ledge-like path that leads around the corner of a mountain.

We round the corner… and I look up… to see two giant nostrils! It’s a nose! We’re on Mt. Rushmore!... and the ski guy is going to ski jump off George Washington’s nose!

04.05.10: Orca Dream

I’m at a seaside Caribbean resort of some sort, though it’s hard to tell if it’s really a resort. Anyway, I’m on a pier and all around is blue green water… beautiful. A few orcas can be seen in the water, dark shapes that circle and occasionally pass under the pier.

I am lying in the middle of the pier when I sense that one of the orcas is underneath, its huge bulk slightly pressed against the boards, making them creak and heave slightly. This is disturbing — but then it suddenly gets really scary. Some part of the beast comes through the pier slats and grabs me, my arm. It’s hard to tell if it’s a tongue or part of a fin or what — it’s rough like a cow’s tongue. I squiggle loose and inch away from the slat where the appendage emerged. Realizing I am inching outwards on the pier I realize that I will have to go the other way, towards land, or the orca will nudge me to the end of the pier where I will be helpless.

But to go towards land I must pass over the pier area under which the orca lies, a terrifying thought. I manage to quickly skitter crablike along the pier until I am on dry land.

03.05.10: Dream — The Art Trap

C and I went to a VIP opening at the New Museum. Almost everyone was wearing black and almost everyone was as old or older than us. The art was, well, some good, some not so good, some familiar, and some new — and most of it seemed a little awe-inspiring. Almost nothing was on an intimate, personal scale — which I found somewhat overwhelming, maybe even intimidating.

That night (or was it the night after?) I had a dream.

I was in bed with C in a hotel room and the view out the window was of some large steel and glass buildings. Tucked among them was a kind of massive radio telescope dish sunken into the ground. (A bit like the Arecibo one in Puerto Rico.)

Only in this case I knew, as one does in dreams, that this wasn’t a harmless radio telescope but rather a death ray of some sort. We were in North Korea — maybe — or it was definitely some foreign country where such a thing as a death ray might be possible, though the slick buildings didn’t seem very North Korean… more like downtown Houston.

Two hotel staff enter, pushing a large contraption that fills almost the entire room. They tell us that it is a “gift.” Its smooth white surface has lights and switches and things that look like back scratchers sticking out. It’s somehow lovely and entertaining. The most significant features are a series of holes in the device — significant because they’re just big enough for a person to fit in, though how you’d get in there is a puzzle as they’re midway up the side of the thing.

I know, however, that this is no ordinary gift — I announce that this is an “Art Trap” and that we should be very, very careful. Somehow I know that if one gets too involved with this thing, with its seductive lights and displays, one would magically find oneself in one of the holes, squeezed and stuck tight. The temptation to fiddle with it up close is great, as the thing is truly a bizarre wonder. We get close to it, examine it, and when the dream ends I’m not captured — though that could still happen easily, in the blink of an eye. I laugh at how obvious it all seems after attending the VIP opening.

10.13.09: Space Is Deep!

I had a dream in which I was on a tractor, lurching along, pulling a wagon that was piled with large backpacks. Along for the ride were some rather well-known German DJs, one of whom was named Luke Vibert. (Luke is a real guy, and is not German — I had been listening to a Warp Records compilation earlier in the day, so maybe that’s how he got into my dream…)

[Source]

Then there was a kind of intercut scene, away from the slow tractor travel, of these DJs in a club, behind their decks and laptops on the DJ platform. Some had guitars slung around their necks (but were not playing them), shouting into a special DJ mike with their German accents, “Ve are African men!, Ve are African men!” The crowd was dancing wildly.

Cut back to the tractor, still lurching along, and the DJs begin some other shout outs — “Space Is Da Place!”...”Space is All That!”...and...”Space is Deep!”

At the time (in my semi-sleep state), I thought these phrases were wildly inventive.

07.27.09: Another Dream

I am in an apartment or loft — possibly my home, in New York. I hear the freight elevator arriving — funny, I wasn’t expecting anyone. It is an old-style NY freight elevator, the kind you have to operate manually, with a scissors gate that has to be opened before the regular door.

(Here’s a picture of one from my friends at Transportation Alternatives.)

Anyway, the elevator in the dream arrives and inside is a gaggle of “bank robbers” (dressed in dark suits, I think) who are holding civilians in front of themselves as human shields.

I grab an old pistol (a Colt-type revolver) out of a nearby desk drawer (I don’t own a gun) and begin to do what I have to do… unfortunately that means that some of the hostages get shot as well. I shoot one of the civilians, and as that person drops, the bad guys are revealed and exposed, and, as the elevator is manually operated, they’re too busy defending themselves to leave my floor. I eventually kill everyone, though I have regrets about those poor human shields who also had to die.

Dream 3

I am packing up the folding bikes and someone is watching me, commenting, “No, not like that… that’ll never work… those folding pedals are useless…”

07.26.09: Cagliari — A Dream

I am in an African village, staying with a local family. It is a Sunday (or similar day off) and family, relatives and friends have all assembled for a backyard get together. There is a large table with food, and people are in attractive local dress (instead of the Western stuff worn during the regular week).

After some festivities, I notice a high, mournful voice singing – not too far away. I follow the source of the singing, and just beyond the gathering I come upon a young African man, maybe 20 years old, at a keyboard singing Neil Young songs. He’s got the high, whiney voice down perfectly, and for a moment I am simply stunned. He sings one song, then goes on to the next one in the Neil Young songbook. I think to myself, “Some Peace Corps person must have left a Neil Young cassette behind, and this kid has taken it upon himself to learn all the songs.”

My hosts and some others appear and ask me if I am impressed with the young man’s talent. “Is he not great?” I tell them yes, I am impressed, he’s amazing, but I politely omit the fact that his talent is, to me, completely useless. My hosts press on, “Since you recognize this man’s talent and skills, don’t you think he could surely be a success in your country?” I am flummoxed, and try to explain nicely that his talent is astounding and surprising — if you close your eyes it really could be Neil Young — but to me, it is of no interest past the moment of initial shock. My hosts aren’t having it. They KNOW this man is talented — and they’re right — and are therefore absolutely certain that he could be huge outside of their village and surrounds. I again try to explain that in my country, a Neil Young already exists, and an African copy, however faithful, is simply unnecessary.

The discussion peters out in mutual misunderstanding and incomprehension.

01.31.2008: Stolen Dream, Part I

A friend told me about a dream she had and I told her “what a great story!” Well, I don’t know if I’m up to the great part, but I decided to attempt writing my imagined version of it. When I showed her this version she said, “that’s not my dream!” Of course, I realized that in a dream one is often in a situation fraught with feeling, anxiety and fear — if it’s that kind of dream. In dreams however, there are often few narrative links — one simply jumps from one situation to the next, the tension ratchets up, but the linkages are vague and unimportant. In trying to write it up as a story however, one usually has to provide some thread, some plausible sequence of events, even if the events are fantastic. So, I made myself the lead character and threw in some elements from my own life to make it more “real”.

Part I

I go to Macy’s to get a new winter coat, as mine is falling apart. The old coat was a thrift store Russian army number that was double breasted, tailored and incredibly warm — well, you’d expect no less from the Russian army. They may have lost a lot of men in WWII, but at least they knew how to keep them warm. Maybe it was the dense, thick and tightly woven wool that did it. I had worn it for ten years or more, and earlier in the day, after reaching up above my head I heard the sound of seam behind the right sleeve ripping. I looked under my arm — it was a big rip, not just a little loosening of the seam. It was time.

I decide to wear the old coat to the store and then just toss it in a trash receptacle once I get a new one. I enter on 7th Ave through a group of doors above which is written “Men’s Store”. Inside, down a few steps, there are shirts and suits hanging along diagonally arranged racks — not what I’m looking for. Oddly, despite needing to get to my office for a meeting in an hour, I suddenly feel in no particular rush. Something about the decor and layout of these large stores has the clever effect of inducing instant relaxation and distraction. Though I have no need for any of the shirts or jackets surrounding me, I thought why not look around and check out what’s on offer. I’m here, so I might as well see what’s around for that day when I do need a shirt or jacket, right? Maybe they put something in the air that puts one in a pleasant shopping trance? Maybe there are subtle frequencies in the muzak that make one forget all the cares of the day? Maybe it’s the lighting or the lack of windows.

After wandering around a bit, I spot an escalator going down. From my vantage point, I can see some sportswear and some puffy coats on a rack down there. That’s where I might find my new coat.

The floor layout in this massive store is staggered, with those departments closer to 6th Ave or Broadway a half floor higher or lower than the area in which I am standing. Separate banks for escalators are therefore needed to serve these slightly different levels. The staggered levels also means that one can’t see the entire length of any floor; even if the displays and escalator banks weren’t in the way, the varying floor levels would still make it impossible. The visual horizon is constantly broken up, fragmented, surely contributing to the pleasant, trance-like effect of disorientation.

I remember that one particular bank of escalators near the center of the store is the wooden type and must have been installed when the devices were first invented. Those old escalators make a distinct sound, a soft, wooden, clunking clatter, like someone playing a piano busily, but gently — so gently that the strings are never hit. You just hear the sounds of the wooden mechanics, the levers and keys knocking and clunking. A giant, wooden prepared piano. The mechanical oil within these escalators has worked its way into the wood over the years, making it soft and smooth — that, and the wear of millions of hands, shopping bags, shoes and strollers has rounded all the edges. It’s a beautiful contraption.

I see some ski coats on a rack and soon realize that they’re all large, extra large, and extra, extra large. I usually think of myself as a medium size, so will they be too big? It must be the influence of hip-hop fashion, that everything now should be baggy and large. Actually, one of the large size coats seems to fit OK — I’m not totally lost in it. So, I carry it along as I wander to see what else might be available. There is a similar model with an interior pocket for an iPod. The pocket even has a window, and just by pulling down the zipper a bit you can see what song is playing. But it’s not as thick a coat as the first. Other coats have outer shells and some cover the upper legs. Combined with the large size and puffy style, these latter coats are like small houses. I stick with my first choice. As I pay for my selection, the saleslady asks me if I might have lost a coat. Maybe she noticed that I wasn’t wearing one (I left my old one on a shelf). She said she had seen it and was going to see if someone was missing a coat, but I said, yeah, I’m just going to throw it out. She said she thought it was a woman’s coat, as it is tailored and slim.

Out of curiosity, I wander some more through the coat department and eventually go up another set of escalators that for some reason don’t bring me back to the men’s dressy shirts department. There are some glass cases with moisturizers and fragrances here, and some staff wanting me to sample a few. That’s OK, I’ll pass on the smells, but as I now have a few minutes, I decide I can just wander freely. I am sure that I have simply found myself on one staggered level and I’ll see a familiar department sooner or later.

I go up another series of escalators, which means, as usual, that I have to walk around to the rear of the escalator I’d just come up. This one is entirely stainless steel and makes a slight hissing sound as I pass between floors. I am now in camping supplies, which I didn’t even know Macy’s carried. In the distance, I can see tents and two mannequins in hiking gear. In the other direction, some carpets are piled up, and behind them larger carpets lean against each other, upright, rolled in pairs and in rows, like pillars in a temple. I look at one carpet that seems to have a strange, non-repeating pattern made of swirls. The swirls are almost tiled, and copied all over the surface, except each one is subtly different. The salesman said these are new, from Thailand of all places. He says the pattern variations are computer aided and are based on video game decor.  An algorithm is used to help create natural looking textures that don’t look as though they’d been stamped out or actually made by machine. Ingenious.

I realize I’d better be going if I am to make my downtown meeting, so I ask where to find the nearest escalator bank. On the floor below, I don’t see the glass cases I’d seen there earlier, but as these stores are so big and fragmented, I don’t think anything of it. There’s a gaggle of elderly salesladies over by some new microwaves, so I ask them if they know how to get to the men’s store and they say no, they usually come in by the other entrance.

I walk past the appliances and down a few steps to the staggered lower level, but it still doesn’t look familiar. Over on some plastic folding chairs, a young couple holds hands while their kids chase each other through the lawn furniture. They both look tired, as if they’ve been shopping all day. Beyond the garden supplies, I see a man pushing a cart filled with boxes, so I head that way.

By the time I get to where he was, I can see him disappearing into a couple of service personnel swinging doors. I walk over and poke my head in there and a woman inside tells me this area is for service only. I ask about the men’s department again and she says she only works on this floor, back here, so she doesn’t know about that floor.

It is getting later, so I quicken my pace and decide the safest bet is to retrace my steps as best I can, even though it means going up and then down again. I go back through the lawn chairs and up the steps, but can’t see the escalators I’d remembered taking from the floor above. Those escalators had promotions for the upcoming Valentine’s Day sales, but these ones don’t. Oh, well — I go up them anyway.

I hope to see the carpets at least, but there’s only a few little throw rugs, and those temple columns don’t seem to be near here. Really strange. I see a woman with a checklist in her hand and ask her where the large carpets might be and she says, down there, just past the bookstore, and she points over to the right, around a corner.

Bookstore?! There’s a bookstore here? Whatever. I have no choice but to trust her so I head in that direction. I turn the corner on the right, but still don’t see any bookstore. I glance back to see if she was still there, but she’s gone. I think I see her checklist lying on a counter, but I can’t be sure from this distance if it is in fact hers. Ahead of me is another set of escalators, and I think, why not? I go up another flight just in case I’ve miscounted or the staggered floors threw me off. There are the Valentine posters, finally, but this is not the same escalator bank, I can tell by the sound.

I find myself on a floor that seems to be a chaotic clutter of boxes, service carts and merchandise from a lot of other departments. There are a couple of upright vacuum cleaners and some decorative bottles of bath salts piled on a cart. I hear a noise behind some of the boxes and glance over. A young man, who, by the looks of it, probably doesn’t work in the store, is rummaging through a pile of pillows.  He is dressed in a nice shirt and pants, but the shirt isn’t tucked in and it sort of looks like he slept in it. He eventually finds a bolster down at the bottom and yanks it loose from the others. When he stands up he sees me looking at him and begins to quickly walk away with his prize. I say excuse me, but he pretends not to hear and he walks away a little faster. He disappears behind some other unopened boxes.

I look around, but there doesn’t seem to be any sales help on this floor. I head in the direction of the young man. More boxes, some opened, some thrown haphazardly in piles. A table lamp lies on the floor. A mattress leans against a washer/dryer, its plastic cover partly removed. I see another escalator bank behind a group of dressers, so I walk a little towards it. Now I can hear voices coming from the floor above — they sound like an elderly couple. The closest escalator is going down, so I circle round to the other side and go up to where I think the couple must be.

I don’t see them, but I hear a different set of voices on the right, just beyond a display of plastic shower curtains. I part some of the curtains and see that someone has set up a rudimentary living situation on the other side. There are some books and a toaster oven on a bedside table, and a a sheet and blanket thrown across a mattress. On some white bookshelves are jars of peanut butter and gourmet crackers. A small tub of olive spread and a tin of fois gras lay half eaten on a cushion. Have I somehow wandered into the service area where the workers and staff make themselves at home? I don’t remember going through any doors. I hear the elderly couple again and drop the shower curtain and head back towards the sound of their voices.

Jim is a man of about seventy, who, like the young man I’d seen among the pillows, wears a natty new suit, and he too looks like he’s been sleeping in it. There are a few stains on his pant legs, and a pair or scissors and a small kitchen knife stick out of his pocket. Likewise, Meg is dressed in a crisp new outfit that seems lightly askew and has a torn hem. She wears brand new running shoes and carries an extremely stuffed pocketbook over her shoulder. It doesn’t make sense. They seem too old to be staff, but what else would they be doing here?
“Hello. Do you folks know if there are any elevators here?”
“Not working” said Jim.
“Hmmm. Well, I seem to be lost. Can you point me towards an exit? Any exit?”
Jim looks at Meg. He extends a slightly grimy hand.
“Jim Forester. Hello there. This is Meg.” He motions to the woman.
Meg nods a little nod of acknowledgement and sits down on a box.
“I think I’m lost, can you give me directions?”
Jim looks at me and walks over to the down escalator. He motions with his head that I should follow.
“Down there” he says, peering at the floor below. “I think it’s down there.”
“Thanks,” I say, though I was kind of hoping for something a little clearer in the way of directions. “See you.”
“See you,” says Jim.

I go down a couple more floors on escalators that all seem slightly different from one another. There is one with pounded tin patterns on the sides, and another has large Ms on each step, formed out of variations in the metal grooves. Some of the grooves are partly filled with what looks like food remnants. I try to avoid stepping on these. I arrive at a floor where there is a gourmet deli, and I see two Asian men trying to open a can of spicy beans. The food stuck in the escalator stairs must be from here. I wonder if the staff is aware that customers are opening food packages. I approach the guys, but they don’t speak English, so I move on, looking for someone else. I see a large red headed salesman over by some flat screen TVs. He is watching a Bruce Willis movie playing on four different screens.
“Hi. I think, well, I know I’m lost. Can you give me directions?”
“To where?”
“I need to go out, to the exit. 7th Ave would be best, but whatever.”
Bruce Willis is being chased by a bunch of cop cars. Red presses pause on his remote.
“Oh, OK, you need to get over to the fashion levels. This is electronics.”
“Are those nearby?”
“Sort of. They’re on level three. Did you see those escalators?” He cocks his head towards where I’d come from.
“Uh huh.”
“Take those to level three and ask someone there — they’ll help you.”
He punches the remote and Bruce Willis’s car slides across an intersection scattering a bunch of Christmas decorations.
“Thanks.”

I head off. Now we’re getting somewhere, but now I am getting a little worried. I pull out my cell phone. Maybe I can get my office to postpone my meeting, as for sure I am going to be late. “All circuits are busy, try again in a few minutes.” Damn! Well, maybe I’ll get through when I get to the third floor.

I go down a couple of flights and don’t see any signs indicating which floor I’m on. There are children’s clothes here. Could these be fashion, sort of? I ask a woman who is holding a coffee maker that isn’t in a box. What is she doing with it in this department?
“Hi. Do you know where the fashion department is?”
“Uh hmmm. That’s the third floor, I think.”
Oh shit, I think.
“What floor is this?” I ask.
She looks around, a little startled. “I think this is seven.”
“Really?” I am stunned. Have I come up that far?
“I think so,” she says. But she doesn’t sound too sure.
“OK, thanks.” I figure even if this isn’t seven, the third floor must be down a little more, so I circle around to the down escalators.

On the floor below, the lights seem to be flickering and it seems to be mostly filled with kitchen furniture: tables, armoires, counters and cutting blocks. I continue down. It must be getting late, but there are never any windows in these places so it’s hard to tell how much time has passed. They design them that way, like casinos. At first it felt good to have the world shut out in here, but now I’ve had enough. With all this tromping around, up and down, my new winter coat is getting pretty hot, so I take it off and carry it over my arm.

The next floor has some beds and sofas. I sit down on a beige settee for a second and try the phone again. “That number has been changed…” How could I have misdialed my own office? I try again. It just rings and rings this time, no one answers. Someone must be there. It can’t be after six yet, can it? I look at my watch — 6:15. Damn. I’ve been in here for two hours now? Is that possible? Whew. This sofa’s pretty comfortable.

I didn’t realize I’d been asleep until I wake up and look at my watch. It is eleven at night. Nothing has changed; the lights are still on everywhere, as bright as ever. I’m getting kinda hungry. That gourmet foods section might not be such a bad idea. Nah. This is crazy. You’re probably just a couple of floors or levels away from fashion and the exit. Funny, no one has called.

I go down a couple more floors and still no sign of men’s wear or fashions of any sort. This floor is tools and hardware. I’ll have to remember that in case I need to get one of those cans open, I joke to myself. There doesn’t seem to be any sales staff around. Well, it’s almost midnight! No wonder!

I decide I must have wandered over to some other section of the store at some point early on. So rather than going down any more flights in this section, I decide to explore horizontally. Maybe there will be something familiar, or a bank of escalators different from that on which I came down. Who knows? I pass some refrigerators and freezers. Further on, lawnmowers and leaf blowers.

Wait. Is that another set of escalators over there? Yeah! I run on over. This could be good. It’s strangely quiet. When I reach the escalators they’re not moving. Oh well, that’s OK. I’ll just go down a flight or two and see if anything is familiar. Clunk, clunk. It’s always a weird feeling walking up or down these things when they’re not moving. The steps are oddly spaced and one’s feet hit awkwardly.

The floor below is filled with sports shoes. Did I pass these before? Or was that dress shoes? Or was it children’s running shoes? Whatever. I realize that now my feet are getting tired and a little sore, so maybe a pair of these shoes wouldn’t be so bad right now. There are some new Nike models that look like they have plenty of support, but the design is pretty damn wacky. The Reebok’s are a little less show off-y, so I opt for a pair of those. At least the black ones won’t look so weird with what I’ve got on.

Shit! Fuck! All the shoes on display are in small sizes — they must seem less imposing, more elegant, less like small boats that way? Is that the idea? Or is it so no one will steal them? Am I going to have to find the stockroom around here in order to find my size? Well, I guess so, why not?

There’s a door behind the cashier’s desk — that must be it. Oh my God. It’s a warren of shelves and boxes. Huge piles of tossed empty shoeboxes from people who wanted to wear their new shoes home. Home? Some people must have actually gotten out of here! I’m still joking, I think. I have no idea how the sizes and models are organized back here. Wait. OK. Here’s some organized by size. Look. That’s a 9 ½ — that’s my size. What kind of shoe is that? I pull one of the boxes. Model 7732-Zephyr. Oh, it’s one of those design-y Nike ones. Well, that’s OK. What the hell.

I try it. It fits pretty well, and it’s REALLY comfortable. Whatever. This will at least stop my feet from aching. I’m gonna look all mismatched, like Jim and Meg, but whatever.

With my new shoes all laced up, I decide, what the hell, I’m hungry; I’ll head up to that gourmet food area, if I can even find it again. I find one bank of escalators and begin my ascent. It doesn’t seem that familiar, but then I’m not sure what I’ve seen or where anymore. I wander a floor again. Yes. There’s another set of escalators over there — I must have come down on those, right? Maybe? Worth a try anyway.

These escalators aren’t moving now either, and going up all these floors is getting pretty exhausting. I know I should think it’s free exercise, but it’s pretty late and I’m hungry.

Oh my God! There it is. I’ve actually found that gourmet food section. Whew. Weird. A lot of the packages seem to be missing. There are gaps on the shelves. Mostly cans and stuff that need cooking fill the shelves. Hmmm. OK. Here are some beans. Oh yeah, no opener. Ummm. Hey. Back there, behind that box. Ahh. Some crackers. Way the hell back there. I reach way in and can’t really see where I’m reaching then I suddenly hear a sound from what must be the other side of the shelves.  I jump back. What the hell!  “Is somebody there?” I yell. I slowly edge towards the crackers, but they don’t seem to be there anymore. “Hey! Those were my crackers!” I head to the end of the aisle to run around and see if there is someone one the other side. I hear a sound again. Someone — with my crackers I guess — runs around the corner and disappears.

(To Be Continued)

01.26.2008: The Rock and Roll Monster

I’m in a shopping mall, in the food court. From around the corner, some distance away, I can hear the sound of throbbing rock and roll guitars. No distinct rhythm or melody, just a low ominous churning rock and roll growl, getting slightly closer. The others in the food court seem to know what it is, and they stand up, abandon their half eaten chicken salads and burritos, and begin running in the opposite direction of The Rock and Roll Monster.

I do the same, but being unfamiliar with what it is, I have what I think is a smart idea. I head into a boutique and run in and out between the racks and display cases towards the staff entrance in the back. I go in, and sure enough there is a hallway that leads to stairs I can take down and out of the building. The stairs lead to a small alleyway, where a few of us convene. We breathe sighs of relief — we’re free and clear. Whew. I guess we outsmarted that thing, whatever it was. I never even saw it.

Now, somehow, I’m back in the food court or some other public part of the mall. Once again I hear the ominous thrum getting closer and louder. Some people run, but I’m too slow this time. Here it comes from around the corner. It’s twisting and turning, snaking down the central aisle, like a giant serpent. It seems to be an endless tube of clear plastic, about four feet in diameter, and filled with giant versions of either those translucent cups you get at a water cooler, or the ones you get when giving a urine sample.  Only these cups are so large they almost fill the writhing plastic tube, arrayed one behind the other. It’s as if it is some weird, enormous intestine made for a school science project, but on a too-large scale. It has that homemade, ad hoc, do it yourself vibe. But it wriggles and slithers as if it is alive.

Somehow, in this dream, I am terrified, but I am also aware that the Rock and Roll Monster takes many forms, and all of them share this quality of looking homemade and rudimentary, yet somehow animated,  these pedestrian objects coming to life.

10.27.06: Daydreaming

A bird flew into my home/studio yesterday. Not that surprising, I guess, it happens in NY now and then…except the little incident was somehow like a dream. It was a little finch (?) sparrow (?) and the window was only a little bit, a very little bit, open. (The loft is not a big veranda with large floor to ceiling windows so it’s not an indoor/outdoor space.) I was over in the music studio nook working, looking the monitor, and talking on the phone, when I noticed the little creature a couple of meters away, very close, and looking at me. We glanced at one another, and then it flew back to the ledge in the “living space” near the open window, hesitated a moment, then flew back out the window. (In my past experiences birds indoors have become trapped, confused, flying against window panes frantically — but this one knew its way out and in a moment it was gone.) How did this one instantly know its exit? It was like a little “Hello, I’m with you, I’m aware of you, you’re O.K.” and then, perfunctorily, gone, goodbye. Isn’t the bird a symbol of the soul in paintings? Is it crazy to project a real event as if it were a dream event?

I immediately thought, what it the symbolism here? Was this a good sign? A visitation? Did I see this? Did it really happen? Is the bird in a house a soul come to say hello? My own soul? Is it good luck? Bad luck? An omen? A message? A messenger? A metaphor? O.K., it might sound crazy to read so much into a random unexpected occurrence — it’s simply an odd NY thing — but the incursion of “nature”, the wild, the beautiful and fragile, into the urban workspace is so unexpected (my loft is 6 flights up.) It did seem like a dream image, a symbolic metaphorical image, come to life.